Lucjan is a theatre actor whose health is failing. He forgets his lines on stage and feels confused and out of place in his daily life. He decides to end his acting career and soon winds up in a nursing home. In this new place, the elderly man misses his late wife. He starts having nightmares that seem to become real. In one of them, he discovers a passage into a magical world deceptively similar to his theatre. Lucjan starts living in two parallel dimensions – real life and the fairy tale – that become increasingly dependent on each other and intertwined. His immersion in the imaginary world leads to an unexpected ending. A bittersweet treatise on passing. The fairy-tale world Lucjan creates is not so much a metaphor for death as a symbolic reconciliation to its coming高清=超清|HD|1080P
在電影發(fā)布會(huì)上，薩達(dá)西萬指出，這個(gè)故事“植根于喀拉拉邦的黑暗時(shí)代”。 這部電影計(jì)劃以五種印度語言同時(shí)發(fā)行。 馬拉雅拉姆語小說家T. D. Ramakrishnan加入了這個(gè)項(xiàng)目，負(fù)責(zé)電影的對話。
